All Or Nothing At All in Fa#

Arthur Altman()balladModerately Slow
A
A
B
A

Chord Diagrams — All Or Nothing At All in Fa# (Guitar)

Re♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Re♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
Mi9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Mi6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
Miaug
EADGBE4312
5frEADGBE11x32x7frEADGBEx3211x9frEADGBE11432
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Do♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
Sol♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
Fam7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯711
Fa♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Fa♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
Re
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Reaug
EADGBExx231
3frEADGBE11x32x7frEADGBE11432x10frEADGBE1x423x
Re6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Sol
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
La9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Laaug
EADGBEx4231
2frEADGBE11432x5frEADGBE11x42310frEADGBE11x32x
Mim7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Sim
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

All Or Nothing At All in Fa#

All Or Nothing At All in Fa#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to D# (ascending unison), D# to E (ascending half step), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to C# (descending minor third), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D (descending major third), D to D (ascending unison), D to D (ascending unison), D to A (descending perfect fourth), A to G (descending whole step), G to A (ascending whole step), A to A (ascending unison), A to E (descending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to D# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 64 bars · Form: AABA

Chords: Re♯m, Re♯m7, Re♯m6, Mi9, Mi6, Miaug, Mi7, Do♯m, La♯m7♭5, Re♯7♭9, Sol♯m, Fam7♭5, La♯7, Sol♯m7♭5, Do♯711, Fa♯, Fa♯6, Re, Reaug, Re6, La7, Sol, La9, Laaug, Mim7, Do♯m7♭5, Fa♯7, Sim, Sol7.

Scales for Improvisation Fa# bebop, Fa# bebop major.