Come Rain Or Come Shine in Re

Harold Arlen()swingModerately
A
B

Chord Diagrams — Come Rain Or Come Shine in Re (Guitar)

ReMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Mi9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
Mim7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Lam7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Solm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Rem
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Solm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
Mim7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
La7♭5
EADGBEx1234
4frEADGBEx24137frEADGBExx123410frEADGBE11x243
La75
La7♯5
La - Do♯ - Fa - Sol
Sim7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
Mi7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
Lam
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Dom7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Fa♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
DoMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Fa9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Mi7/f
Fa - Mi - Sol♯ - Si - Re

Come Rain Or Come Shine in Re

Come Rain Or Come Shine in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to G (descending whole step), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C (ascending minor third), C to F# (ascending tritone), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to B (ascending major third), B to C (ascending half step), C to E (ascending major third), E to F (ascending half step), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to D by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AB

Chords: ReMaj7, Sol♯m7♭5, Do♯m7♭5, Fa♯7♭9, Sim7, Mi9, Mim7, La7, Re7, Lam7, Solm7, Rem, Solm, Mim7♭5, La7♭5, La75, La7♯5, Sim7♭5, Mi7♭9, Lam, Dom7, Fa♯m7, La♯m7♭5, Re♯m7, Sol♯7, Fa♯7, Sol7, Si7, DoMaj7, Mi7, Fa9, Mi7/f.

Scales for Improvisation Re bebop, Re bebop major.