Come Rain Or Come Shine in Sol

Harold Arlen()swingModerately
A
B

Chord Diagrams — Come Rain Or Come Shine in Sol (Guitar)

SolMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Si7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
Mim7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
La9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Lam7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Dom7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Solm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
Dom
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Lam7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Re7♭5
EADGBE11xx2
3frEADGBExx24135frEADGBE11x23x9frEADGBE2x341x
Re75
Re7♯5
Re - Fa♯ - La♯ - Do
Mim7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
La7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
Rem
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
FaMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
La♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
La7/f
Fa - La - Do♯ - Mi - Sol

Come Rain Or Come Shine in Sol

Come Rain Or Come Shine in Sol

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to C (descending whole step), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to E (ascending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to B (ascending tritone), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to C (ascending half step), C to E (ascending major third), E to F (ascending half step), F to A (ascending major third), A to A# (ascending half step), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AB

Chords: SolMaj7, Do♯m7♭5, Fa♯m7♭5, Si7♭9, Mim7, La9, Lam7, Re7, Sol7, Rem7, Dom7, Solm, Dom, Lam7♭5, Re7♭5, Re75, Re7♯5, Mim7♭5, La7♭9, Rem, Fam7, Sim7, Re♯m7♭5, Sol♯m7, Do♯7, Si7, Do7, Mi7, FaMaj7, La7, La♯9, La7/f.

Scales for Improvisation Sol bebop, Sol bebop major.