I Concentrate On You in La#

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Chord Diagrams — I Concentrate On You in La# (Guitar)

La♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
La♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
Mim7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Re♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Lam7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
Re7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Rem7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
Sol7♯5
Sol - Si - Re♯ - Fa
Dom
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Do♯dim7
EADGBExx1324
3frEADGBE11x2348frEADGBE112x3x11frEADGBExx1324
Do75-/ces
Fa7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Dom7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
La♯6
EADGBE3333x1
5frEADGBE21346frEADGBE113x2410frEADGBEx4231x
Re♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
Fa7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
Si9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
La♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
Re♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Do♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
La♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
La♯m/des
Solm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
Do7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fa
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
FaMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324

I Concentrate On You in La#

I Concentrate On You in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to E (ascending tritone), E to A (ascending perfect fourth), A to F (descending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to B (ascending tritone), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 94 bars · Form: AA'BA''

Chords: La♯, La♯Maj7, Mim7♭5, La7, Fam7, La♯7, Re♯Maj7, Lam7♭5, Re7, Rem7♭5, Sol7♯5, Dom, Do♯dim7, Do75-/ces, Fa7, Dom7, La♯6, Re♯6, Fa7♭9, Si9, La♯69, Re♯m7, Rem7, Sol7, Sol♯7, Do♯Maj7, La♯m7, La♯m/des, Solm7♭5, Do7, Fa, FaMaj7.

Scales for Improvisation La# bebop, La# bebop major.