I Concentrate On You in La

Cole Porter()balladSlowly
A
A
'
B
A
'
'

Chord Diagrams — I Concentrate On You in La (Guitar)

La
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
LaMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Mim7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
ReMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯7♯5
Fa♯ - La♯ - Re - Mi
Sim
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Dodim7
EADGBExx1324
EADGBE11x2347frEADGBE112x3x10frEADGBE11xx34
Si75-/ces
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
La6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Re6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Mi7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
La♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
La69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Sol7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
DoMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Lam7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Lam/des
Fa♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Mi
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
MiMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324

I Concentrate On You in La

I Concentrate On You in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to E (descending major third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C (ascending half step), C to B (descending half step), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to E (ascending whole step), E to A# (ascending tritone), A# to A (descending half step), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to A (descending minor third), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 94 bars · Form: AA'BA''

Chords: La, LaMaj7, Re♯m7♭5, Sol♯7, Mim7, La7, ReMaj7, Sol♯m7♭5, Do♯7, Do♯m7♭5, Fa♯7♯5, Sim, Dodim7, Si75-/ces, Mi7, Sim7, La6, Re6, Mi7♭9, La♯9, La69, Rem7, Do♯m7, Fa♯7, Sol7, DoMaj7, Lam7, Lam/des, Fa♯m7♭5, Si7, Mi, MiMaj7.

Scales for Improvisation La bebop, La bebop major.