Coisa Feita in C

João Bosco(1982)partido altoPartido Alto ♩=118
Do Re MiC D E
A
B
C
D
E
D♯69
G♯69
C♯13
Cm11
A♯13
D♯maj13
D♯maj13
D♯9♯5
Cm11
A♯13
A♯13♭9
Cm11
A♯13
A♯13♭9
D♯maj9
F9♯11
F9♯11
A♯13
E7♯9♭5
D♯13
D♯13
A♯13
G♯69
C♯13
Cm11
A♯13
D♯maj13
G13♭9

Chord Diagrams — Coisa Feita in C (Guitar)

D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
G♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
D♯maj13
EADGBEx314x
3frEADGBE11x4236frEADGBE11x23410frEADGBE111123
D♯9♯5
EADGBE111234
5frEADGBE222x149frEADGBE42x3110frEADGBE11234x
A♯13♭9
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
E7♯9♭5
E - G♯ - B - D - G - A♯
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14

Coisa Feita in C

Coisa Feita in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to E (descending major third), E to D# (descending half step), D# to D# (ascending unison), D# to F# (ascending minor third), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to F (ascending whole step), F to C (descending perfect fourth), C to B (descending half step), B to G (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to D# by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

partido alto4/4 · 43 bars · Form: ABCDE

Chords: D♯69, G♯69, C♯13, Cm11, F9, Fm9, A♯13, A♯m9, D♯maj13, D♯9♯5, A♯13♭9, G♯m6, E, D♯maj9, D♯m7, F♯7, F9♯11, E7♯9♭5, D♯13, Fm, C, B, G13♭9.

Scales for Improvisation C bebop minor, C bebop.