Coisa Feita in D

João Bosco(1982)partido altoPartido Alto ♩=118
Do Re MiC D E
A
B
C
D
E
F69
A♯69
D♯13
Dm11
C13
Fmaj13
Fmaj13
F9♯5
Dm11
C13
C13♭9
Dm11
C13
C13♭9
Fmaj9
G9♯11
G9♯11
C13
F♯7♯9♭5
F13
F13
C13
A♯69
D♯13
Dm11
C13
Fmaj13
A13♭9

Chord Diagrams — Coisa Feita in D (Guitar)

F69
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
A♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
Fmaj13
EADGBE12
EADGBExx2135frEADGBE11x4238frEADGBE11x234
F9♯5
EADGBE1243
5frEADGBE1112347frEADGBE222x1412frEADGBE11234x
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
A♯m6
EADGBEx13x24
3frEADGBEx2314x5frEADGBE2222x16frEADGBE111234
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯7♯9♭5
F♯ - A♯ - C♯ - E - A - C
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213

Coisa Feita in D

Coisa Feita in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to A# (descending whole step), A# to F# (descending major third), F# to F (descending half step), F to F (ascending unison), F to G# (ascending minor third), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to G (ascending whole step), G to D (descending perfect fourth), D to C# (descending half step), C# to A (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to F by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

partido alto4/4 · 43 bars · Form: ABCDE

Chords: F69, A♯69, D♯13, Dm11, G9, Gm9, C13, Cm9, Fmaj13, F9♯5, C13♭9, A♯m6, F♯, Fmaj9, Fm7, G♯7, G9♯11, F♯7♯9♭5, F13, Gm, D, C♯, A13♭9.

Scales for Improvisation D bebop minor, D bebop.