Indestructible in B

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
I
n
t
r
o
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A
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B
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C
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D
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E
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F
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C
o
d
a

Chord Diagrams — Indestructible in B (Guitar)

Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Gmaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯6
EADGBE2x143x
EADGBE11x3244frEADGBE111x349frEADGBE3333x1
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Dmaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Dm6
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
C13♯11
C - E - G - B♭ - D - F♯ - A

Indestructible in B

Indestructible in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to D (ascending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to E (ascending major third), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third), F# to A (ascending minor third), A to F# (descending minor third), F# to C (ascending tritone), C to B (descending half step), B to F# (descending perfect fourth), F# to E (descending whole step), E to F# (ascending whole step), F# to C (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to B by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Bm6, D9, Gmaj9, C7, Gmaj7, C9, Em6, D♯7♯9, D6, C♯m7♭5, F♯6, E13♯11, F♯m7♭5, B7, Em7, A7, Dmaj7, Dm6, G♯7♯9, C♯7♯9, Em9, A9, D7, F♯7♭9, A, F♯, C9♯11, Bm, F♯7, Em, F♯13, C13♯11.

Scales for Improvisation B bebop minor, B bebop.