Indestructible in G#

Ray Barretto, J. Román(1978)guarachaGuaracha ♩= 106 (2-3 Clave)
Do Re MiC D E
Clave 2-3
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Chord Diagrams — Indestructible in G# (Guitar)

G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Emaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
B6
EADGBEx312x
EADGBE3333x17frEADGBE1x324x9frEADGBE11xx34
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bmaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A13♯11
A - C♯ - E - G - B - D♯ - F♯

Indestructible in G#

Indestructible in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to B (ascending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to F# (ascending minor third), F# to D# (descending minor third), D# to A (ascending tritone), A to G# (descending half step), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to D# (ascending whole step), D# to A (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaracha4/4 · 90 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: G♯m6, B9, Emaj9, A7, Emaj7, A9, C♯m6, C7♯9, B6, A♯m7♭5, D♯6, C♯13♯11, D♯m7♭5, G♯7, C♯m7, F♯7, Bmaj7, Bm6, F7♯9, A♯7♯9, C♯m9, F♯9, B7, D♯7♭9, F♯, D♯, A9♯11, G♯m, D♯7, C♯m, D♯13, A13♯11.

Scales for Improvisation G# bebop minor, G# bebop.