Anatelio (The Happy People) in B

Airto Moreira(1971)sambaMed. Slow Batucada (Samba) ♩=94
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
G
G♯7♯5
C♯13
F♯13
F♯13sus
D♯7♭9♯5
G♯7♯5
C♯13
D♯13
C♯13
D♯13
C♯13

Chord Diagrams — Anatelio (The Happy People) in B (Guitar)

C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
F♯13sus
F♯ - B - C♯ - E - G♯ - D♯
D♯7♭9♯5
D♯ - G - B - C♯ - E
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134

Anatelio (The Happy People) in B

Anatelio (The Happy People) in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 24 bars · Form: Intro-A-B-C-D-E-F-G

Chords: C♯m7, F♯9, C♯9, G♯7♯5, C♯13, F♯13, F♯13sus, D♯7♭9♯5, G♯m7, D♯13, G♯7♭9, D♯m7, G♯7.

Scales for Improvisation B bebop minor, B bebop.