Anatelio (The Happy People) in F

Airto Moreira(1971)sambaMed. Slow Batucada (Samba) ♩=94
Do Re MiC D E
I
n
t
r
o
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A
-
B
-
C
-
D
-
E
-
F
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G
D7♯5
G13
C13
C13sus
A7♭9♯5
D7♯5
G13
A13
G13
A13
G13

Chord Diagrams — Anatelio (The Happy People) in F (Guitar)

Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
D7♯5
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
C13sus
C - F - G - B♭ - D - A
A7♭9♯5
A - C♯ - F - G - B♭
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132

Anatelio (The Happy People) in F

Anatelio (The Happy People) in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to G (descending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 24 bars · Form: Intro-A-B-C-D-E-F-G

Chords: Gm7, C9, G9, D7♯5, G13, C13, C13sus, A7♭9♯5, Dm7, A13, D7♭9, Am7, D7.

Scales for Improvisation F bebop minor, F bebop.