Anatelio (The Happy People) in F#

Airto Moreira(1971)sambaMed. Slow Batucada (Samba) ♩=94
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
F
-
G
D♯7♯5
G♯13
C♯13
C♯13sus
A♯7♭9♯5
D♯7♯5
G♯13
A♯13
G♯13
A♯13
G♯13

Chord Diagrams — Anatelio (The Happy People) in F# (Guitar)

G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C♯13sus
C♯ - F♯ - G♯ - B - D♯ - A♯
A♯7♭9♯5
A♯ - D - E♯# - G♯ - B
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

Anatelio (The Happy People) in F#

Anatelio (The Happy People) in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 24 bars · Form: Intro-A-B-C-D-E-F-G

Chords: G♯m7, C♯9, G♯9, D♯7♯5, G♯13, C♯13, C♯13sus, A♯7♭9♯5, D♯m7, A♯13, D♯7♭9, A♯m7, D♯7.

Scales for Improvisation F# bebop minor, F# bebop.