Aqui, Oh! in A

Toninho Horta(1988)sambaSamba (in 4) ♩= 122–144
Do Re MiC D E
I
n
t
r
o
-
A
B
C
D
Amaj9
D13♯11
Bmaj9
A♯m11
G♯m11
G♯mM9
D13
Bmaj9
A♯m11
G♯m11
G♯mM9
D13
A6/9
F♯7♭9♯5
C13

Chord Diagrams — Aqui, Oh! in A (Guitar)

Aadd9
EADGBEx132
5frEADGBExx32149frEADGBE11x32411frEADGBEx21x34
Fmaj13
EADGBE12
EADGBExx2135frEADGBE11x4238frEADGBE11x234
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
D13♯11
D - F♯ - A - C - E - G♯ - B
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
G♯mM9
G♯ - B - D♯ - G - A♯
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
A6/9
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7♭9♯5
F♯ - A♯ - D - E - G
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324

Aqui, Oh! in A

Aqui, Oh! in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F (descending major third), F to A (ascending major third), A to D (ascending perfect fourth), D to B (descending minor third), B to A# (descending half step), A# to G# (descending whole step), G# to G# (ascending unison), G# to D (ascending tritone), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to C (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 15 bars · Form: Intro-ABCD

Chords: Aadd9, Fmaj13, Amaj9, D13♯11, Bmaj9, A♯m11, G♯m11, G♯mM9, D13, A6/9, Dm9, C♯m7♭5, F♯7♭9♯5, B9, C13.

Scales for Improvisation A bebop, A bebop major.