Aqui, Oh! in C

Toninho Horta(1988)sambaSamba (in 4) ♩= 122–144
Do Re MiC D E
I
n
t
r
o
-
A
B
C
D
G♯maj13
Cmaj9
F13♯11
Dmaj9
C♯m11
Bm11
BmM9
F13
Dmaj9
C♯m11
Bm11
BmM9
F13
C6/9
A7♭9♯5
D♯13

Chord Diagrams — Aqui, Oh! in C (Guitar)

Cadd9
EADGBEx213
EADGBEx137frEADGBE2138frEADGBExx3214
G♯maj13
EADGBE111123
4frEADGBE1112348frEADGBE11x42311frEADGBE11x234
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
F13♯11
F - A - C - E♭ - G - B - D
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
BmM9
B - D - F♯ - A♯ - C♯
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
C6/9
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
A7♭9♯5
A - C♯ - F - G - B♭
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234

Aqui, Oh! in C

Aqui, Oh! in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G# (descending major third), G# to C (ascending major third), C to F (ascending perfect fourth), F to D (descending minor third), D to C# (descending half step), C# to B (descending whole step), B to B (ascending unison), B to F (ascending tritone), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 15 bars · Form: Intro-ABCD

Chords: Cadd9, G♯maj13, Cmaj9, F13♯11, Dmaj9, C♯m11, Bm11, BmM9, F13, C6/9, Fm9, Em7♭5, A7♭9♯5, D9, D♯13.

Scales for Improvisation C bebop, C bebop major.