Aqui, Oh! in E

Toninho Horta(1988)sambaSamba (in 4) ♩= 122–144
Do Re MiC D E
I
n
t
r
o
-
A
B
C
D
Emaj9
A13♯11
F♯maj9
Fm11
D♯m11
D♯mM9
A13
F♯maj9
Fm11
D♯m11
D♯mM9
A13
E6/9
C♯7♭9♯5

Chord Diagrams — Aqui, Oh! in E (Guitar)

Eadd9
EADGBE2314
4frEADGBE11x3246frEADGBEx21x3412frEADGBExx3214
Cmaj13
EADGBEx4231
3frEADGBE11x2347frEADGBE1111238frEADGBE111234
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
A13♯11
A - C♯ - E - G - B - D♯ - F♯
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
D♯mM9
D♯ - F♯ - A♯ - D - F
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
E6/9
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7♭9♯5
C♯ - F - A - B - D
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14

Aqui, Oh! in E

Aqui, Oh! in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C (descending major third), C to E (ascending major third), E to A (ascending perfect fourth), A to F# (descending minor third), F# to F (descending half step), F to D# (descending whole step), D# to D# (ascending unison), D# to A (ascending tritone), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 15 bars · Form: Intro-ABCD

Chords: Eadd9, Cmaj13, Emaj9, A13♯11, F♯maj9, Fm11, D♯m11, D♯mM9, A13, E6/9, Am9, G♯m7♭5, C♯7♭9♯5, F♯9, G13.

Scales for Improvisation E bebop, E bebop major.