Atras De Nos in F#

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
F♯6/9
F♯6/9
D6/9
C♯13♭9
F♯6/9
F♯6/9
D6/9
C♯13♭9
C♯13♭9
F♯6/9
Bmaj9
D♯maj9
F♯6/9
B13♯11
B13♯11
D6/9
C♯7♯9♯5
C♯13♭9
F♯6/9
C♯13♭9
F♯6/9

Chord Diagrams — Atras De Nos in F# (Guitar)

F♯6/9
EADGBE111234
EADGBExx21346frEADGBE1111x28frEADGBE11x234
D6/9
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
C♯13♭9
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
C♯7♯9♯5
C♯ - F - A - B - E

Atras De Nos in F#

Atras De Nos in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D (descending major third), D to C# (descending half step), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to B (descending major third), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: F♯6/9, D6/9, C♯13♭9, G♯m9, Bmaj9, A♯7♯9, D♯maj9, B13♯11, C♯7♯9♯5.

Scales for Improvisation F# bebop, F# bebop major.