Atras De Nos in G#

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
G♯6/9
G♯6/9
E6/9
D♯13♭9
G♯6/9
G♯6/9
E6/9
D♯13♭9
D♯13♭9
G♯6/9
C♯maj9
Fmaj9
G♯6/9
C♯13♯11
C♯13♯11
E6/9
D♯7♯9♯5
D♯13♭9
G♯6/9
D♯13♭9
G♯6/9

Chord Diagrams — Atras De Nos in G# (Guitar)

G♯6/9
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
E6/9
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯
D♯7♯9♯5
D♯ - G - B - C♯ - E♯#

Atras De Nos in G#

Atras De Nos in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to E (descending major third), E to D# (descending half step), D# to A# (descending perfect fourth), A# to C# (ascending minor third), C# to C (descending half step), C to F (ascending perfect fourth), F to C# (descending major third), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: G♯6/9, E6/9, D♯13♭9, A♯m9, C♯maj9, C7♯9, Fmaj9, C♯13♯11, D♯7♯9♯5.

Scales for Improvisation G# bebop, G# bebop major.