Atras De Nos in F

Richard Boukas(1991)sambaMed. Samba ♩= 124
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
-
E
-
C
o
d
a
1
-
C
o
d
a
2
F6/9
F6/9
C♯6/9
C13♭9
F6/9
F6/9
C♯6/9
C13♭9
C13♭9
F6/9
A♯maj9
Dmaj9
F6/9
A♯13♯11
A♯13♯11
C♯6/9
C7♯9♯5
C13♭9
F6/9
C13♭9
F6/9

Chord Diagrams — Atras De Nos in F (Guitar)

F6/9
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
C♯6/9
EADGBE11x432
EADGBE11x2348frEADGBE11123410frEADGBExx2134
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
A7♯9
5frEADGBE114432
6frEADGBExx21348frEADGBEx421311frEADGBEx2134x
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
A♯13♯11
A♯ - D - F - G♯ - C - E - G
C7♯9♯5
C - E - G♯ - B♭ - D♯

Atras De Nos in F

Atras De Nos in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to C# (descending major third), C# to C (descending half step), C to G (descending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to A# (descending major third), A# to C (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 23 bars · Form: Intro-A-B-C-D-E-Coda1-Coda2

Chords: F6/9, C♯6/9, C13♭9, Gm9, A♯maj9, A7♯9, Dmaj9, A♯13♯11, C7♯9♯5.

Scales for Improvisation F bebop, F bebop major.