Bacchanal in A

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
A9sus
A9sus
A9sus
A9sus
E9sus
E9sus
D9sus
D9sus
D9sus
A9sus
A9sus
A9sus
A9sus
E9sus
E9sus
D9sus
D9sus
D9sus
A13♭9
A13♭9
Dm11
Dm11
Dm11
G♯13
CmM7
F♯13♯11
Fmaj9
Fmaj9
Fmaj9
D♯69
C♯maj9
A9sus
A9sus
A9sus
A9sus
E9sus
E9sus
A♯69♯11

Chord Diagrams — Bacchanal in A (Guitar)

A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
CmM7
C - E♭ - G - B
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
C♯maj9
EADGBE1111x4
3frEADGBEx2143x8frEADGBE11124310frEADGBExx2143
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
A♯69♯11
A♯ - D - F - G - C - E

Bacchanal in A

Bacchanal in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to E (ascending unison), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to D# (ascending tritone), D# to D (descending half step), D to G# (ascending tritone), G# to C (ascending major third), C to C (ascending unison), C to C (ascending unison), C to F# (ascending tritone), F# to F (descending half step), F to D# (descending whole step), D# to C# (descending whole step), C# to D (ascending half step), D to C (descending whole step), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: A9sus, E9sus, E9, D9, D9sus, A13♭9, D♯9, Dm11, G♯13, Cm, CmM7, Cm7, F♯13♯11, Fmaj9, D♯69, C♯maj9, D, C, A♯69♯11.

Scales for Improvisation A bebop, A bebop major.