Bacchanal in B

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
B9sus
B9sus
B9sus
B9sus
F♯9sus
F♯9sus
E9sus
E9sus
E9sus
B9sus
B9sus
B9sus
B9sus
F♯9sus
F♯9sus
E9sus
E9sus
E9sus
B13♭9
B13♭9
Em11
Em11
Em11
A♯13
DmM7
G♯13♯11
Gmaj9
Gmaj9
Gmaj9
F69
D♯maj9
B9sus
B9sus
B9sus
B9sus
F♯9sus
F♯9sus
C69♯11

Chord Diagrams — Bacchanal in B (Guitar)

B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
DmM7
D - F - A - C♯
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
F69
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C69♯11
C - E - G - A - D - F♯

Bacchanal in B

Bacchanal in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to F# (ascending unison), F# to E (descending whole step), E to E (ascending unison), E to B (descending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to A# (ascending tritone), A# to D (ascending major third), D to D (ascending unison), D to D (ascending unison), D to G# (ascending tritone), G# to G (descending half step), G to F (descending whole step), F to D# (descending whole step), D# to E (ascending half step), E to D (descending whole step), D to C (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to B by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: B9sus, F♯9sus, F♯9, E9, E9sus, B13♭9, F9, Em11, A♯13, Dm, DmM7, Dm7, G♯13♯11, Gmaj9, F69, D♯maj9, E, D, C69♯11.

Scales for Improvisation B bebop, B bebop major.