Bacchanal in E

Kenny Barron(1977)jazz sambaJazz Samba ♩= 134
Do Re MiC D E
A
A
B
C
E9sus
E9sus
E9sus
E9sus
B9sus
B9sus
A9sus
A9sus
A9sus
E9sus
E9sus
E9sus
E9sus
B9sus
B9sus
A9sus
A9sus
A9sus
E13♭9
E13♭9
Am11
Am11
Am11
D♯13
GmM7
C♯13♯11
Cmaj9
Cmaj9
Cmaj9
A♯69
G♯maj9
E9sus
E9sus
E9sus
E9sus
B9sus
B9sus
F69♯11

Chord Diagrams — Bacchanal in E (Guitar)

E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
GmM7
G - B♭ - D - F♯
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C♯13♯11
C♯ - F - G♯ - B - D♯ - G - A♯
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
A♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F69♯11
F - A - C - D - G - B

Bacchanal in E

Bacchanal in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to A (ascending unison), A to E (descending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to D# (ascending tritone), D# to G (ascending major third), G to G (ascending unison), G to G (ascending unison), G to C# (ascending tritone), C# to C (descending half step), C to A# (descending whole step), A# to G# (descending whole step), G# to A (ascending half step), A to G (descending whole step), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to E by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz samba4/4 · 52 bars · Form: AABC

Chords: E9sus, B9sus, B9, A9, A9sus, E13♭9, A♯9, Am11, D♯13, Gm, GmM7, Gm7, C♯13♯11, Cmaj9, A♯69, G♯maj9, A, G, F69♯11.

Scales for Improvisation E bebop, E bebop major.