Brasileiro in A

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
-
A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
A9sus
A9sus
G9sus
D9sus
C9sus
C♯9sus
C♯9sus
Amaj9
D9sus
G♯m11
F♯9sus
F♯9sus
F♯9sus
F♯9sus
A9sus
F♯9sus
F♯9sus
A9sus

Chord Diagrams — Brasileiro in A (Guitar)

A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234

Brasileiro in A

Brasileiro in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to D (descending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to A# (descending whole step), A# to C# (ascending minor third), C# to C# (ascending unison), C# to A (descending major third), A to G# (descending half step), G# to F# (descending whole step), F# to G# (ascending whole step), G# to F# (descending whole step), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: A9sus, G9sus, D9sus, C9sus, C, A♯, C♯9sus, C♯, Amaj9, G♯m11, F♯m7, G♯m7, F♯9sus, F♯.

Scales for Improvisation A bebop, A bebop major.