Brasileiro in G#

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
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A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
G♯9sus
G♯9sus
F♯9sus
C♯9sus
B9sus
C9sus
C9sus
G♯maj9
C♯9sus
Gm11
F9sus
F9sus
F9sus
F9sus
G♯9sus
F9sus
F9sus
G♯9sus

Chord Diagrams — Brasileiro in G# (Guitar)

G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
F♯9sus
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234

Brasileiro in G#

Brasileiro in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to A (descending whole step), A to C (ascending minor third), C to C (ascending unison), C to G# (descending major third), G# to G (descending half step), G to F (descending whole step), F to G (ascending whole step), G to F (descending whole step), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: G♯9sus, F♯9sus, C♯9sus, B9sus, B, A, C9sus, C, G♯maj9, Gm11, Fm7, Gm7, F9sus, F.

Scales for Improvisation G# bebop, G# bebop major.