Brasileiro in E

Ray Obiedo(1991)sambaMed. Samba
Do Re MiC D E
p
i
c
k
u
p
-
A
-
B
-
C
-
D
-
E
-
F
-
G
-
H
E9sus
E9sus
D9sus
A9sus
G9sus
G♯9sus
G♯9sus
Emaj9
A9sus
D♯m11
C♯9sus
C♯9sus
C♯9sus
C♯9sus
E9sus
C♯9sus
C♯9sus
E9sus

Chord Diagrams — Brasileiro in E (Guitar)

E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
A9sus
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
C♯9sus
EADGBE11x234
4frEADGBE1111346frEADGBExxx1239frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342

Brasileiro in E

Brasileiro in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to F (descending whole step), F to G# (ascending minor third), G# to G# (ascending unison), G# to E (descending major third), E to D# (descending half step), D# to C# (descending whole step), C# to D# (ascending whole step), D# to C# (descending whole step), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

samba2/2 · 24 bars · Form: pickup-A-B-C-D-E-F-G-H

Chords: E9sus, D9sus, A9sus, G9sus, G, F, G♯9sus, G♯, Emaj9, D♯m11, C♯m7, D♯m7, C♯9sus, C♯.

Scales for Improvisation E bebop, E bebop major.