Curaçao in C

Cal Tjader(1966)latin-jazzMellow 6/8 Latin
Do Re MiC D E
I
n
t
r
o
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A
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B
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C
o
d
a
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C
Dmaj9
C♯7sus
C♯7♭9♯5
F♯m11
Bm11
B9♯11
F♯9♯11
B13sus
B13♭5
F♯m11
F♯m69
Bm13
B13

Chord Diagrams — Curaçao in C (Guitar)

F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
B7alt
EADGBEx1234x
6frEADGBExx43127frEADGBE1243x9frEADGBExx123
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
A♯7alt
EADGBEx1234
5frEADGBE23416frEADGBE134x28frEADGBExx1243
D♯7alt
EADGBExx1243
4frEADGBEx42136frEADGBEx123x10frEADGBE112x43
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
G♯7alt
3frEADGBExx4312
6frEADGBExx124310frEADGBE1144x211frEADGBEx1234x
C♯7sus
C♯ - F♯ - G♯ - B
C♯7♭9♯5
C♯ - F - A - B - D
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
F♯7♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
F♯9♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
B13sus
B - E - F♯ - A - C♯ - G♯
B13♭5
B - D♯ - F - G♯ - A - C♯
F♯m69
EADGBE11234
EADGBE2222114frEADGBE1111237frEADGBEx3124x
Bm13
B - D - F♯ - A - C♯ - G♯
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143

Curaçao in C

Curaçao in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/8 · 51 bars · Form: Intro-A-B-Coda-C

Chords: F♯m7♭5, B, B7alt, F♯m9, A♯7alt, D♯7alt, Dmaj9, G♯7alt, C♯7sus, C♯7♭9♯5, F♯m11, Bm11, B9♯11, F♯7♯11, F♯9♯11, B13sus, B13♭5, F♯m69, Bm13, B13, B9.

Scales for Improvisation C bebop minor, C bebop.