Curaçao in F#

Cal Tjader(1966)latin-jazzMellow 6/8 Latin
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
o
d
a
-
C
G♯maj9
G7sus
G7♭9♯5
Cm11
Fm11
F9♯11
C9♯11
F13sus
F13♭5
Cm11
Cm69
Fm13
F13
G♯maj9
G7sus
G7♭9♯5
F13
F9♯11
F9♯11
F9♯11
F9♯11

Chord Diagrams — Curaçao in F# (Guitar)

Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F
EADGBE111342
3frEADGBE11x2435frEADGBE1114328frEADGBE111234
F7alt
EADGBE1243x
3frEADGBExx1238frEADGBEx1234x12frEADGBE112x43
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
E7alt
EADGBE132xx
2frEADGBExx12435frEADGBE42x137frEADGBE1234
A7alt
EADGBEx123x
4frEADGBEx43128frEADGBEx413212frEADGBEx1234x
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
D7alt
EADGBExx132
3frEADGBEx42x135frEADGBEx1234x9frEADGBEx3412
G7sus
G - C - D - F
G7♭9♯5
G - B - D♯ - F - A♭
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
C7♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
F13sus
F - B♭ - C - E♭ - G - D
F13♭5
F - A - B - D - E♭ - G
Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
Fm13
F - A♭ - C - E♭ - G - D
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2

Curaçao in F#

Curaçao in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to E (ascending major third), E to A (ascending perfect fourth), A to G# (descending half step), G# to D (ascending tritone), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/8 · 51 bars · Form: Intro-A-B-Coda-C

Chords: Cm7♭5, F, F7alt, Cm9, E7alt, A7alt, G♯maj9, D7alt, G7sus, G7♭9♯5, Cm11, Fm11, F9♯11, C7♯11, C9♯11, F13sus, F13♭5, Cm69, Fm13, F13, F9.

Scales for Improvisation F# bebop minor, F# bebop.