Curaçao in D

Cal Tjader(1966)latin-jazzMellow 6/8 Latin
Do Re MiC D E
I
n
t
r
o
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A
-
B
-
C
o
d
a
-
C
Emaj9
D♯7sus
D♯7♭9♯5
G♯m11
C♯m11
C♯9♯11
G♯9♯11
C♯13sus
C♯13♭5
G♯m11
G♯m69
C♯m13
C♯13
C♯9♯11
C♯9♯11
C♯9♯11
C♯9♯11

Chord Diagrams — Curaçao in D (Guitar)

G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
C♯7alt
EADGBEx4321
3frEADGBEx23414frEADGBEx1234x8frEADGBExx4312
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
C7alt
2frEADGBE11x234
3frEADGBEx12347frEADGBExx431210frEADGBExx1243
F7alt
EADGBE1243x
3frEADGBExx1238frEADGBEx1234x12frEADGBE112x43
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
A♯7alt
EADGBEx1234
5frEADGBE23416frEADGBE134x28frEADGBExx1243
D♯7sus
D♯ - G♯ - A♯ - C♯
D♯7♭9♯5
D♯ - G - B - C♯ - E
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
G♯7♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
G♯9♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
C♯13sus
C♯ - F♯ - G♯ - B - D♯ - A♯
C♯13♭5
C♯ - F - G - A♯ - B - D♯
G♯m69
3frEADGBE222x14
4frEADGBE1122226frEADGBE1111239frEADGBE333x12
C♯m13
C♯ - E - G♯ - B - D♯ - A♯
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143

Curaçao in D

Curaçao in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to E (descending half step), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/8 · 51 bars · Form: Intro-A-B-Coda-C

Chords: G♯m7♭5, C♯, C♯7alt, G♯m9, C7alt, F7alt, Emaj9, A♯7alt, D♯7sus, D♯7♭9♯5, G♯m11, C♯m11, C♯9♯11, G♯7♯11, G♯9♯11, C♯13sus, C♯13♭5, G♯m69, C♯m13, C♯13, C♯9.

Scales for Improvisation D bebop minor, D bebop.