Dime Tú Que Lo Sabes in A#

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
-
B
-
C
-
P
e
r
c
-
C
o
d
a
-
D
A♯maj9
A♯maj9
D♯maj7♯5
G♯13♯11
E13♯11
A♯maj9
E13♯11
D♯maj9
D♯maj9
G7♯9♭5
F13sus
F♯13
F13sus
F13sus
F♯13
F13sus

Chord Diagrams — Dime Tú Que Lo Sabes in A# (Guitar)

Dime Tú Que Lo Sabes in A#

Dime Tú Que Lo Sabes in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to A (ascending half step), A to C (ascending minor third), C to A# (descending whole step), A# to D (ascending major third), D to G (ascending perfect fourth), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to E (ascending major third), E to D# (descending half step), D# to D (descending half step), D to G# (ascending tritone), G# to A (ascending half step), A to G (descending whole step), G to E (descending minor third), E to D# (descending half step), D# to E (ascending half step), E to F (ascending half step), F to D (descending minor third), D to F# (ascending major third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: A, E, B, G♯m, Asus, C, A♯maj9, D7♯9, Gm7, D♯maj7♯5, G♯13♯11, Cm9, E13♯11, D♯maj9, Dm7, G♯, A5, G7♯9♭5, Em7♭5, D♯, E5, F13sus, D7♭9, F♯13, F7alt, A♯maj7, Cm7, F7.

Scales for Improvisation A# bebop, A# bebop major.