Dime Tú Que Lo Sabes in G#

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
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B
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C
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P
e
r
c
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C
o
d
a
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D
G♯maj9
G♯maj9
C♯maj7♯5
F♯13♯11
D13♯11
G♯maj9
D13♯11
C♯maj9
C♯maj9
F7♯9♭5
D♯13sus
E13
D♯13sus
D♯13sus
E13
D♯13sus

Chord Diagrams — Dime Tú Que Lo Sabes in G# (Guitar)

Dime Tú Que Lo Sabes in G#

Dime Tú Que Lo Sabes in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to A (descending perfect fourth), A to F# (descending minor third), F# to G (ascending half step), G to A# (ascending minor third), A# to G# (descending whole step), G# to C (ascending major third), C to F (ascending perfect fourth), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to D (ascending major third), D to C# (descending half step), C# to C (descending half step), C to F# (ascending tritone), F# to G (ascending half step), G to F (descending whole step), F to D (descending minor third), D to C# (descending half step), C# to D (ascending half step), D to D# (ascending half step), D# to C (descending minor third), C to E (ascending major third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: G, D, A, F♯m, Gsus, A♯, G♯maj9, C7♯9, Fm7, C♯maj7♯5, F♯13♯11, A♯m9, D13♯11, C♯maj9, Cm7, F♯, G5, F7♯9♭5, Dm7♭5, C♯, D5, D♯13sus, C7♭9, E13, D♯7alt, G♯maj7, A♯m7, D♯7.

Scales for Improvisation G# bebop, G# bebop major.