Dime Tú Que Lo Sabes in D

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
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B
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C
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P
e
r
c
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C
o
d
a
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D
Dmaj9
Dmaj9
Gmaj7♯5
C13♯11
G♯13♯11
Dmaj9
G♯13♯11
Gmaj9
Gmaj9
C♯5
B7♯9♭5
G♯5
A13sus
A♯13
A13sus
A13sus
A♯13
A13sus

Chord Diagrams — Dime Tú Que Lo Sabes in D (Guitar)

Dime Tú Que Lo Sabes in D

Dime Tú Que Lo Sabes in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to C (descending minor third), C to C# (ascending half step), C# to E (ascending minor third), E to D (descending whole step), D to F# (ascending major third), F# to B (ascending perfect fourth), B to G (descending major third), G to C (ascending perfect fourth), C to E (ascending major third), E to G# (ascending major third), G# to G (descending half step), G to F# (descending half step), F# to C (ascending tritone), C to C# (ascending half step), C# to B (descending whole step), B to G# (descending minor third), G# to G (descending half step), G to G# (ascending half step), G# to A (ascending half step), A to F# (descending minor third), F# to A# (ascending major third), A# to A (descending half step), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C# by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: C♯, G♯, D♯, Cm, C♯sus, E, Dmaj9, F♯7♯9, Bm7, Gmaj7♯5, C13♯11, Em9, G♯13♯11, Gmaj9, F♯m7, C, C♯5, B7♯9♭5, G♯m7♭5, G, G♯5, A13sus, F♯7♭9, A♯13, A7alt, Dmaj7, Em7, A7.

Scales for Improvisation D bebop, D bebop major.