Dime Tú Que Lo Sabes in E

Candido Fabré(1993)guaguancoGuaguancó
Do Re MiC D E
Clave 3-2
I
n
t
r
o
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A
-
B
-
C
-
P
e
r
c
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C
o
d
a
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D
Emaj9
Emaj9
Amaj7♯5
D13♯11
A♯13♯11
Emaj9
A♯13♯11
Amaj9
Amaj9
D♯5
C♯7♯9♭5
A♯5
B13sus
B13sus
B13sus
B13sus

Chord Diagrams — Dime Tú Que Lo Sabes in E (Guitar)

Dime Tú Que Lo Sabes in E

Dime Tú Que Lo Sabes in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D (descending minor third), D to D# (ascending half step), D# to F# (ascending minor third), F# to E (descending whole step), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to A (descending major third), A to D (ascending perfect fourth), D to F# (ascending major third), F# to A# (ascending major third), A# to A (descending half step), A to G# (descending half step), G# to D (ascending tritone), D to D# (ascending half step), D# to C# (descending whole step), C# to A# (descending minor third), A# to A (descending half step), A to A# (ascending half step), A# to B (ascending half step), B to G# (descending minor third), G# to C (ascending major third), C to B (descending half step), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D# by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

guaguanco4/4 · 35 bars · Form: Intro-A-B-C-Perc-Coda-D

Chords: D♯, A♯, F, Dm, D♯sus, F♯, Emaj9, G♯7♯9, C♯m7, Amaj7♯5, D13♯11, F♯m9, A♯13♯11, Amaj9, G♯m7, D, D♯5, C♯7♯9♭5, A♯m7♭5, A, A♯5, B13sus, G♯7♭9, C13, B7alt, Emaj7, F♯m7, B7.

Scales for Improvisation E bebop, E bebop major.