Eastern Joy Dance in A

Mulgrew Miller(1980)latin-jazzGüiro ♩= 200
Do Re MiC D E
A
B
C
D
A♯maj7♯11
C♯7♯9♯5
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
A♯maj7♯11
C♯7♯9♯5
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
D♯m9♭5
G♯13♭9
G9sus
G7♯9♯5
C♯69♯11
A13♭9
A7♯9♯5
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
A13♭9
A♯maj9♯11
C♯7♯9♯5
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
A♯maj9♯11
C♯7♯9♯5
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
Dmaj7♯11
A13♭9
A13♭9

Chord Diagrams — Eastern Joy Dance in A (Guitar)

A♯maj7♯11
EADGBE11x234
5frEADGBE1111236frEADGBE11123410frEADGBE11x423
C♯7♯9♯5
C♯ - F - A - B - E
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
Dmaj7♯11
EADGBE11xx3
2frEADGBEx42315frEADGBE11x2349frEADGBE111123
D♯m9♭5
D♯ - F - F♯ - A - C♯
G♯13♭9
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
G9sus
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
G7♯9♯5
G - B - D♯ - F - A♯
C♯69♯11
C♯ - F - G♯ - A♯ - D♯ - G
A13♭9
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
A7♯9♯5
A - C♯ - F - G - C
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Bmaj9♯11
B - E♭ - G♭ - B♭ - D♭ - F
A♯maj9♯11
A♯ - D - F - A - C - E

Eastern Joy Dance in A

Eastern Joy Dance in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G (descending half step), G to G (ascending unison), G to C# (ascending tritone), C# to A (descending major third), A to A (ascending unison), A to D (ascending perfect fourth), D to Cb (descending whole step), Cb to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/4 · 38 bars · Form: ABCD

Chords: A♯maj7♯11, C♯7♯9♯5, F♯m9, Dmaj7♯11, D♯m9♭5, G♯13♭9, G9sus, G7♯9♯5, C♯69♯11, A13♭9, A7♯9♯5, Dm9, C♭maj9♯11, A♯maj9♯11.

Scales for Improvisation A bebop, A bebop major.