Eastern Joy Dance in G

Mulgrew Miller(1980)latin-jazzGüiro ♩= 200
Do Re MiC D E
A
B
C
D
G♯maj7♯11
B7♯9♯5
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
G♯maj7♯11
B7♯9♯5
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
C♯m9♭5
F♯13♭9
F9sus
F7♯9♯5
B69♯11
G13♭9
G7♯9♯5
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
G13♭9
G♯maj9♯11
B7♯9♯5
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
G♯maj9♯11
B7♯9♯5
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
Cmaj7♯11
G13♭9
G13♭9

Chord Diagrams — Eastern Joy Dance in G (Guitar)

G♯maj7♯11
EADGBE111123
4frEADGBE1112348frEADGBE11x42311frEADGBE11x234
B7♯9♯5
B - D♯ - G - A - D
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Cmaj7♯11
EADGBEx4231
3frEADGBE11x2347frEADGBE1111238frEADGBE111234
C♯m9♭5
C♯ - D♯ - E - G - B
F♯13♭9
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
F7♯9♯5
F - A - C♯ - E♭ - G♯
B69♯11
B - D♯ - F♯ - G♯ - C♯ - F
G13♭9
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
G7♯9♯5
G - B - D♯ - F - A♯
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
Bmaj9♯11
B - E♭ - G♭ - B♭ - D♭ - F
G♯maj9♯11
G♯ - C - D♯ - G - A♯ - D

Eastern Joy Dance in G

Eastern Joy Dance in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to B (ascending minor third), B to E (ascending perfect fourth), E to C (descending major third), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to F (ascending unison), F to B (ascending tritone), B to G (descending major third), G to G (ascending unison), G to C (ascending perfect fourth), C to Cb (ascending unison), Cb to G# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/4 · 38 bars · Form: ABCD

Chords: G♯maj7♯11, B7♯9♯5, Em9, Cmaj7♯11, C♯m9♭5, F♯13♭9, F9sus, F7♯9♯5, B69♯11, G13♭9, G7♯9♯5, Cm9, C♭maj9♯11, G♯maj9♯11.

Scales for Improvisation G bebop, G bebop major.