Eastern Joy Dance in D

Mulgrew Miller(1980)latin-jazzGüiro ♩= 200
Do Re MiC D E
A
B
C
D
D♯maj7♯11
F♯7♯9♯5
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
D♯maj7♯11
F♯7♯9♯5
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
G♯m9♭5
C♯13♭9
C9sus
C7♯9♯5
F♯69♯11
D13♭9
D7♯9♯5
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
D13♭9
D♯maj9♯11
F♯7♯9♯5
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
D♯maj9♯11
F♯7♯9♯5
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
Gmaj7♯11
D13♭9
D13♭9

Chord Diagrams — Eastern Joy Dance in D (Guitar)

D♯maj7♯11
EADGBEx314x
3frEADGBE11x4236frEADGBE11x23410frEADGBE111123
F♯7♯9♯5
F♯ - A♯ - D - E - A
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Gmaj7♯11
EADGBE111133
3frEADGBE1112347frEADGBE11x42310frEADGBE11x234
G♯m9♭5
G♯ - A♯ - B - D - F♯
C♯13♭9
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C9sus
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C7♯9♯5
C - E - G♯ - B♭ - D♯
F♯69♯11
F♯ - A♯ - C♯ - D♯ - G♯ - C
D13♭9
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
D7♯9♯5
D - F♯ - A♯ - C - F
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
Bmaj9♯11
B - E♭ - G♭ - B♭ - D♭ - F
D♯maj9♯11
D♯ - G - A♯ - D - F - A

Eastern Joy Dance in D

Eastern Joy Dance in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to G (descending major third), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to C (ascending unison), C to F# (ascending tritone), F# to D (descending major third), D to D (ascending unison), D to G (ascending perfect fourth), G to Cb (ascending perfect fourth), Cb to D# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/4 · 38 bars · Form: ABCD

Chords: D♯maj7♯11, F♯7♯9♯5, Bm9, Gmaj7♯11, G♯m9♭5, C♯13♭9, C9sus, C7♯9♯5, F♯69♯11, D13♭9, D7♯9♯5, Gm9, C♭maj9♯11, D♯maj9♯11.

Scales for Improvisation D bebop, D bebop major.