Eastern Joy Dance in E

Mulgrew Miller(1980)latin-jazzGüiro ♩= 200
Do Re MiC D E
A
B
C
D
Fmaj7♯11
G♯7♯9♯5
Amaj7♯11
Amaj7♯11
Amaj7♯11
Amaj7♯11
Fmaj7♯11
G♯7♯9♯5
Amaj7♯11
Amaj7♯11
Amaj7♯11
Amaj7♯11
A♯m9♭5
D♯13♭9
D9sus
D7♯9♯5
G♯69♯11
E13♭9
E7♯9♯5
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
C♭maj9♯11
E13♭9
Fmaj9♯11
G♯7♯9♯5
Amaj7♯11
Amaj7♯11
Amaj7♯11
Amaj7♯11
Fmaj9♯11
G♯7♯9♯5
Amaj7♯11
Amaj7♯11
Amaj7♯11
Amaj7♯11
E13♭9
E13♭9

Chord Diagrams — Eastern Joy Dance in E (Guitar)

Fmaj7♯11
EADGBE12
EADGBExx2135frEADGBE11x4238frEADGBE11x234
G♯7♯9♯5
G♯ - C - E - F♯ - B
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
Amaj7♯11
EADGBEx2134
4frEADGBE1111236frEADGBE11x349frEADGBE11x423
A♯m9♭5
A♯ - C - C♯ - E - G♯
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D7♯9♯5
D - F♯ - A♯ - C - F
G♯69♯11
G♯ - C - D♯ - F - A♯ - D
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
E7♯9♯5
E - G♯ - C - D - G
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
Bmaj9♯11
B - E♭ - G♭ - B♭ - D♭ - F
Fmaj9♯11
F - A - C - E - G - B

Eastern Joy Dance in E

Eastern Joy Dance in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to A (descending major third), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to D (ascending unison), D to G# (ascending tritone), G# to E (descending major third), E to E (ascending unison), E to A (ascending perfect fourth), A to Cb (ascending minor third), Cb to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin-jazz6/4 · 38 bars · Form: ABCD

Chords: Fmaj7♯11, G♯7♯9♯5, C♯m9, Amaj7♯11, A♯m9♭5, D♯13♭9, D9sus, D7♯9♯5, G♯69♯11, E13♭9, E7♯9♯5, Am9, C♭maj9♯11, Fmaj9♯11.

Scales for Improvisation E bebop, E bebop major.