El Cantar Del Coquí in A#

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
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A
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B
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C
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D
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E
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F
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C
o
d
a
D♯m69
D♯m69
D♯m69
A♯13
D♯m69
D♯m69
D♯m69
A♯13
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
F♯13
F♯13
E13
E13
B13
B13
B13
B13
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
D♯m69
D♯m69
D♯m69
A♯13
D♯m69
D♯m69
D♯m69
D9♯11
C♯9♯11
C9♯11
D♯m69
D♯m69
D♯m69
D♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69
C♯m69

Chord Diagrams — El Cantar Del Coquí in A# (Guitar)

D♯m69
EADGBE1112x3
4frEADGBEx3124x9frEADGBE11142311frEADGBExx2134
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
C♯m69
EADGBEx4132
EADGBEx3124x7frEADGBE4123x9frEADGBE2222x1
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x

El Cantar Del Coquí in A#

El Cantar Del Coquí in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to E (descending whole step), E to B (descending perfect fourth), B to D# (ascending major third), D# to C# (descending whole step), C# to D (ascending half step), D to C# (descending half step), C# to C (descending half step), C to F# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to D# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: D♯m69, A♯13, D♯m7, F♯13, E13, B13, D♯m9, C♯m69, D9♯11, C♯9♯11, C9♯11, F♯m6.

Scales for Improvisation A# bebop minor, A# bebop.