El Cantar Del Coquí in D#

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
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A
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B
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C
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D
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d
a
G♯m69
G♯m69
G♯m69
D♯13
G♯m69
G♯m69
G♯m69
D♯13
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
B13
B13
A13
A13
E13
E13
E13
E13
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
G♯m69
G♯m69
G♯m69
D♯13
G♯m69
G♯m69
G♯m69
G9♯11
F♯9♯11
F9♯11
E13
E13
G♯m69
G♯m69
G♯m69
G♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69
F♯m69

Chord Diagrams — El Cantar Del Coquí in D# (Guitar)

G♯m69
3frEADGBE222x14
4frEADGBE1122226frEADGBE1111239frEADGBE333x12
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
G♯m9
EADGBE11143
4frEADGBE1111347frEADGBE2213419frEADGBE2222x1
F♯m69
EADGBE11234
EADGBE2222114frEADGBE1111237frEADGBEx3124x
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯9♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234

El Cantar Del Coquí in D#

El Cantar Del Coquí in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to A (descending whole step), A to E (descending perfect fourth), E to G# (ascending major third), G# to F# (descending whole step), F# to G (ascending half step), G to F# (descending half step), F# to F (descending half step), F to B (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to G# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: G♯m69, D♯13, G♯m7, B13, A13, E13, G♯m9, F♯m69, G9♯11, F♯9♯11, F9♯11, Bm6.

Scales for Improvisation D# bebop minor, D# bebop.