El Cantar Del Coquí in C

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
I
n
t
r
o
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A
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B
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C
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D
-
E
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F
-
C
o
d
a
Fm69
Fm69
Fm69
C13
Fm69
Fm69
Fm69
C13
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
G♯13
G♯13
F♯13
F♯13
C♯13
C♯13
C♯13
C♯13
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
Fm69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
Fm69
Fm69
Fm69
C13
Fm69
Fm69
Fm69
E9♯11
D♯9♯11
D9♯11
C♯13
C♯13
Fm69
Fm69
Fm69
Fm69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69
D♯m69

Chord Diagrams — El Cantar Del Coquí in C (Guitar)

Fm69
EADGBE112222
3frEADGBE1112x36frEADGBEx3124x11frEADGBE3124x
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
D♯m69
EADGBE1112x3
4frEADGBEx3124x9frEADGBE11142311frEADGBExx2134
E9♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
D♯9♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324

El Cantar Del Coquí in C

El Cantar Del Coquí in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to F (ascending major third), F to D# (descending whole step), D# to E (ascending half step), E to D# (descending half step), D# to D (descending half step), D to G# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Fm69, C13, Fm7, G♯13, F♯13, C♯13, Fm9, D♯m69, E9♯11, D♯9♯11, D9♯11, G♯m6.

Scales for Improvisation C bebop minor, C bebop.