El Cantar Del Coquí in F

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
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A
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B
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C
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D
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E
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F
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C
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d
a
A♯m69
A♯m69
A♯m69
F13
A♯m69
A♯m69
A♯m69
F13
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
C♯13
C♯13
B13
B13
F♯13
F♯13
F♯13
F♯13
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
A♯m69
A♯m69
A♯m69
F13
A♯m69
A♯m69
A♯m69
A9♯11
G♯9♯11
G9♯11
F♯13
F♯13
A♯m69
A♯m69
A♯m69
A♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69
G♯m69

Chord Diagrams — El Cantar Del Coquí in F (Guitar)

A♯m69
5frEADGBE222x14
6frEADGBE11x2348frEADGBE1112x411frEADGBEx3124x
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
G♯m69
3frEADGBE222x14
4frEADGBE1122226frEADGBE1111239frEADGBE333x12
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯9♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234

El Cantar Del Coquí in F

El Cantar Del Coquí in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to B (descending whole step), B to F# (descending perfect fourth), F# to A# (ascending major third), A# to G# (descending whole step), G# to A (ascending half step), A to G# (descending half step), G# to G (descending half step), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A# by minor third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: A♯m69, F13, A♯m7, C♯13, B13, F♯13, A♯m9, G♯m69, A9♯11, G♯9♯11, G9♯11, C♯m6.

Scales for Improvisation F bebop minor, F bebop.