El Cantar Del Coquí in G

Juancito Torres(1985)bombaBomba ♩= 118
Do Re MiC D E
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A
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B
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C
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D
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E
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F
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C
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d
a
Cm69
Cm69
Cm69
G13
Cm69
Cm69
Cm69
G13
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
D♯13
D♯13
C♯13
C♯13
G♯13
G♯13
G♯13
G♯13
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
Cm69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
Cm69
Cm69
Cm69
G13
Cm69
Cm69
Cm69
B9♯11
A♯9♯11
A9♯11
G♯13
G♯13
Cm69
Cm69
Cm69
Cm69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69
A♯m69

Chord Diagrams — El Cantar Del Coquí in G (Guitar)

Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
A♯m69
5frEADGBE222x14
6frEADGBE11x2348frEADGBE1112x411frEADGBEx3124x
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234

El Cantar Del Coquí in G

El Cantar Del Coquí in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to B (ascending half step), B to A# (descending half step), A# to A (descending half step), A to D# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to C by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

bomba4/4 · 94 bars · Form: Intro-A-B-C-D-E-F-Coda

Chords: Cm69, G13, Cm7, D♯13, C♯13, G♯13, Cm9, A♯m69, B9♯11, A♯9♯11, A9♯11, D♯m6.

Scales for Improvisation G bebop minor, G bebop.