Flight To Jordan in A

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
Cmaj9
Cmaj9
A♯maj9
A♯maj9
Am69
Am69
C69
E7♯5
Am69
Am69
C69
E7♯5
Am69
Fmaj9
Am69

Chord Diagrams — Flight To Jordan in A (Guitar)

Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
Am69
4frEADGBEx24
5frEADGBE1122227frEADGBE1112310frEADGBE333x12
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
E7♯9
EADGBE214
3frEADGBE3126frEADGBEx2134x9frEADGBE11123
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134

Flight To Jordan in A

Flight To Jordan in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to F (descending whole step), F to E (descending half step), E to D (descending whole step), D to C (descending whole step), C to A# (descending whole step), A# to A (descending half step), A to A (ascending unison), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to C (descending major third), C to E (ascending major third), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: Am7, Gm7, Fmaj9, Em7, Dm9, Cmaj9, A♯maj9, Am9, Am69, C69, B7♯9, E7♯5, C9, E7♯9, E13.

Scales for Improvisation A bebop minor, A bebop.