Flight To Jordan in E

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
Gmaj9
Gmaj9
Fmaj9
Fmaj9
Em69
Em69
G69
B7♯5
Em69
Em69
G69
B7♯5
Em69
Cmaj9
Em69

Chord Diagrams — Flight To Jordan in E (Guitar)

Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Em69
EADGBE1111
EADGBE1112x35frEADGBE333x1210frEADGBE1234
G69
EADGBE1
EADGBE1112344frEADGBE2222x19frEADGBE11x234
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234

Flight To Jordan in E

Flight To Jordan in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C (descending whole step), C to B (descending half step), B to A (descending whole step), A to G (descending whole step), G to F (descending whole step), F to E (descending half step), E to E (ascending unison), E to G (ascending minor third), G to F# (descending half step), F# to B (ascending perfect fourth), B to G (descending major third), G to B (ascending major third), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: Em7, Dm7, Cmaj9, Bm7, Am9, Gmaj9, Fmaj9, Em9, Em69, G69, F♯7♯9, B7♯5, G9, B7♯9, B13.

Scales for Improvisation E bebop minor, E bebop.