Flight To Jordan in F#

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
Amaj9
Amaj9
Gmaj9
Gmaj9
F♯m69
F♯m69
A69
C♯7♯5
F♯m69
F♯m69
A69
C♯7♯5
F♯m69
Dmaj9
C♯13
F♯m69

Chord Diagrams — Flight To Jordan in F# (Guitar)

F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
F♯m69
EADGBE11234
EADGBE2222114frEADGBE1111237frEADGBEx3124x
A69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234

Flight To Jordan in F#

Flight To Jordan in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to B (descending whole step), B to A (descending whole step), A to G (descending whole step), G to F# (descending half step), F# to F# (ascending unison), F# to A (ascending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to A (descending major third), A to C# (ascending major third), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: F♯m7, Em7, Dmaj9, C♯m7, Bm9, Amaj9, Gmaj9, F♯m9, F♯m69, A69, G♯7♯9, C♯7♯5, A9, C♯7♯9, C♯13.

Scales for Improvisation F# bebop minor, F# bebop.