Flight To Jordan in G

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
D♯maj9
A♯maj9
A♯maj9
G♯maj9
G♯maj9
Gm69
Gm69
A♯69
D7♯5
Gm69
Gm69
A♯69
D7♯5
Gm69
D♯maj9
Gm69

Chord Diagrams — Flight To Jordan in G (Guitar)

Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
A♯maj9
EADGBE1113x
3frEADGBE1111435frEADGBE11243x6frEADGBE112234
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
Gm69
EADGBE3124
3frEADGBE2222x15frEADGBE1111238frEADGBE333x12
A♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
A7♯9
5frEADGBE114432
6frEADGBExx21348frEADGBEx421311frEADGBEx2134x
D7♯5
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x

Flight To Jordan in G

Flight To Jordan in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F (descending whole step), F to D# (descending whole step), D# to D (descending half step), D to C (descending whole step), C to A# (descending whole step), A# to G# (descending whole step), G# to G (descending half step), G to G (ascending unison), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to A# (descending major third), A# to D (ascending major third), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: Gm7, Fm7, D♯maj9, Dm7, Cm9, A♯maj9, G♯maj9, Gm9, Gm69, A♯69, A7♯9, D7♯5, A♯9, D7♯9, D13.

Scales for Improvisation G bebop minor, G bebop.