Flight To Jordan in B

Duke Jordan, arr. Tito Puente(1964)jazz-son-montunoJazz Son-Montuno, quarter = 120
Do Re MiC D E
I
n
t
r
o
-
A
-
C
o
d
a
Dmaj9
Dmaj9
Cmaj9
Cmaj9
Bm69
Bm69
D69
F♯7♯5
Bm69
Bm69
D69
F♯7♯5
Bm69
Gmaj9
F♯13
Bm69

Chord Diagrams — Flight To Jordan in B (Guitar)

Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Em9
EADGBE24
EADGBE12435frEADGBE2222x110frEADGBE11324
Dmaj9
2frEADGBE1111x4
4frEADGBEx2143x7frEADGBEx231410frEADGBE11x234
Cmaj9
EADGBEx3
EADGBE22214x5frEADGBE111138frEADGBE11x234
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
Bm69
EADGBEx2134
5frEADGBE2233x17frEADGBE1122229frEADGBE1112x3
D69
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134

Flight To Jordan in B

Flight To Jordan in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to G (descending whole step), G to F# (descending half step), F# to E (descending whole step), E to D (descending whole step), D to C (descending whole step), C to B (descending half step), B to B (ascending unison), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to F# (ascending major third), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

jazz-son-montuno4/4 · 21 bars · Form: Intro-A-Coda

Chords: Bm7, Am7, Gmaj9, F♯m7, Em9, Dmaj9, Cmaj9, Bm9, Bm69, D69, C♯7♯9, F♯7♯5, D9, F♯7♯9, F♯13.

Scales for Improvisation B bebop minor, B bebop.